Okay, so “shadow over ban pa” – sounds mysterious, right? Well, it all started with me messing around with some new lighting techniques. I wanted to get that really dramatic, film noir kind of look, you know, with deep shadows and sharp contrasts. So, I figured I’d give it a shot.

First, I gathered my stuff. I’ve got this old desk lamp, the kind with a flexible neck, which is perfect for this. I also grabbed a few random objects from around the house – a small wooden box, a couple of oddly shaped stones, and a plastic dinosaur (my kid’s, don’t judge!).
Setting the Stage
I cleared a space on my table and placed a plain white sheet of paper as the backdrop. The idea was to keep the background simple so the shadows would really pop. Then I arranged the objects on the paper, kinda randomly at first, just to see how they looked.
Next up, the lighting. I positioned the lamp off to the side, aiming it at the objects. This is where the fun started. I bent and twisted the lamp neck, trying different angles and heights. I wanted the shadows to be long and stretched out, almost like they were reaching out from the objects.
- Low angle: Made the shadows super long and dramatic.
- High angle: Created shorter, more defined shadows.
- Side angle: Gave a nice mix of light and shadow, highlighting the shapes of the objects.
I spent a good hour just playing around with the lamp, moving it closer, farther away, changing the angle. It’s amazing how much difference a slight adjustment can make. I also tried using a piece of cardboard with a hole cut in it to create a more focused beam of light, which added another layer of interest to the shadows.
Finally, I started snapping pictures. I used my phone’s camera, nothing fancy. I took shots from different angles, trying to capture the most interesting shadow play. I found that getting down low, almost level with the objects, gave the most dramatic perspective.
The whole thing was pretty low-tech, but it was a blast! I ended up with some really cool, moody shots. It’s definitely something I’ll keep experimenting with. It’s all about finding the right balance between light and dark, and letting the shadows tell the story.